Seinfeld Show - Seinfeld Tickets

This marks an historic occasion in the annals of comic history. Following the finale of his top-rated primetime comedy tv series jerry seinfeld embarked on an international tour of the classic stand-up material that made his name and a closing performance where it will be performed for the very last time. Studio: Hbo Home Video Release Date: 09/14/2004 Starring: Jerry Seinfeld Run time: 75 minutes Rating: Nr - $3.31

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Studio: Sony Pictures Home Ent Release Date: 11/06/2007 - $174.99
Everybody Loves Raymond - The Complete Series
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Superman Statue Sculpted by Randy Bowen! Made of Cold Cast Porcelain! - $673.11

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On Jerry Seinfeld's debut CD, he already sounds sick of his material. Of course, the point of the performance that it captures--the HBO special I'm Telling You for the Last Time--was to perform the routine one last time and then retire it forever. This recording was taped just a couple of months after Seinfeld went off the air, and the crowd sounds like it's jonesing for a fix--they laugh at everything, even Seinfeld's setup lines ("So what's with the cabdrivers and the BO?"). Still, Seinfeld's humor--that now-familiar observation from a satisfyingly elitist point of view--delivers. But after all the late-night talk-show appearances, the book Seinlanguage, and nine years of the series, was there really any question? --Randy Silver - $4.24

Studio: Sony Pictures Home Ent Release Date: 01/27/2009 - $16.99
The portrayal of evil in film and television, frequently denounced as an attack on "family values" and an incitement to real-life violence, is more complicated and more disturbing than we realize. In a pointed challenge to both Hollywood and its critics, Professor Thomas Hibbs argues that the demonic anti-heroes and seductive comic evil of popular culture are not weapons in a conscious cultural assault but reactions to the apathy and conformity of American life.
While the movies of Frank Capra once celebrated the triumph of good over evil, George Bailey has given way to Hannibal Lecter, who through raw power and bold creativity lives "beyond good and evil." Professor Hibbs follows the trajectory of evil in American film and television, linking it to the spread of nihilism-a state of spiritual impoverishment and shrunken aspirations to which, both Tocqueville and Nietzsche warned, democracies are especially susceptible. The most recent product of Hollywood's fascination with evil is the comic nihilism of Seinfeld, in which the distinctively American pursuit of happiness is endlessly frustrated by dark forces beyond our understanding or control.
Professor Hibbs probes the themes and artistry of the landmark works of the cinematic quest for evil. A series of grisly films from The Exorcist to Cape Fear and Silence of the Lambs reveals a preoccupation with the power of evil. When evil ceases to terrify, it becomes banal, producing a comic view of the meaninglessness of life (Forrest Gump, Natural Born Killers, Titanic, The Simpsons). Seinfeld and Trainspotting represent nihilism's last stage, but not the last word, and Professor Hibbs considers how classical ideals-partially recovered in recent comedy (Pulp Fiction) and film noir (L.A. Confidential, Seven)-might point the way out of nihilism. - $11.74
Arts of Darkness: American Noir and the Quest for Redemption
Virtue's Splendor: Wisdom, Prudence, and the Human Good (Moral Philosophy and Moral Theology, 3)
The Forgotten Man: A New History of the Great Depression
Amusing Ourselves to Death: Public Discourse in the Age of Show Business
Seinfield is a TV phenomenon, and its millions of fans can't get enough of it! For these legions of aficionados comes the ultimate test of their devotion: The Seinfield Aptitude Test. Trivia quizzes and matching tests let readers prove how well they know the buzz words and crazy escapades of the Seinfeld gang. - $0.01
How Well Do You Know Jerry. . . and His Friends?: A Trivia Book
Seinfeld and Philosophy: A Book about Everything and Nothing
Entertainment Weekly Seinfeld Companion
Seinfeld, Master of Its Domain: Revisiting Television's Greatest Sitcom
When Seinfeld wrapped up its ninth and final season in the spring of 1998, the popular show's namesake and cocreator decided to offer a symbolic gesture to his fans. Taped for HBO in August 1998, on the final date of Jerry Seinfeld's tour appearances at New York City's Broadhurst Theater, I'm Telling You for the Last Time presents the standup comedian's so-called "final" standup, or at least his final tour with the standup material that made him famous. The video opens with a great prologue in which Seinfeld's old material is literally laid to rest, with many of Seinfeld's comedy colleagues in attendance at the "funeral." (Jay Leno is there, but David Letterman is conspicuously absent, and while it's a bit self-congratulatory to show Seinfeld's fellow comedians fighting like vultures over his abandoned jokes, it's worth it just to see Garry Shandling pilfering from the catering table like a homeless intruder.)
Whether he's talking about airline flights, cab drivers, or memories of Halloween and an ill-fitting Superman costume, Seinfeld's observational humor is as timeless and sharp as the day he first performed it. Even the most familiar routines (such as the one about pharmacists with a superiority complex) are like old friends who still haven't overstayed their welcome. Seinfeld's delivery is polished to a shine--he's a consummate professional--and an impromptu Q&A with his appreciative audience demonstrates that he's equally adept with a fast and witty comeback. This performance certainly wouldn't be the last we'd see of Jerry Seinfeld, but from the perspective of phenomenal fame and fortune, it's a fitting farewell to the classic "bits" that took him to the top. --Jeff Shannon - $0.49

Studio: Sony Pictures Home Ent Release Date: 01/27/2009 Run time: 553 minutes - $17.37

What do you remember about the "Go-Go 90s"? The Spice Girls? Lewinskygate? Melrose Place? The O.J. Simpson Trial? Grunge Rock? The 1990s was an unforgettable decade, so why not test your knowledge of the Clinton Years and find out how much useless information your brain can store Do you remember: What was Kramer's first name on Seinfeld? Who was the never-fully seen neighbor on Home Improvement? What film featured the phrase "Hakuna Matata"? What NBA bad boy did Madonna date during the 90s? If you know the answers to these questions, you will do fantastic - $14.25
The Great American Pop Culture Quiz Book
Trivial Pursuit 1990's Edition
What's That From?: The Ultimate Quiz Book of Contemporary Movie Lines

Featuring all nine seasons with clips from your favorite episodes - $21.25
How Well Do You Know Jerry. . . and His Friends?: A Trivia Book
Seinfeld and Philosophy: A Book about Everything and Nothing
Scene It? Deluxe Movie 2nd Edition
Completely customized game showcasing 22 memorable locations and hang-outs from various Seinfeld episodes - $34.95

Comedy is a very serious business, and the easy flow of a smooth performance belies the deep digging that goes into the art of creating it. That's the basic message underlying the insights collected on this installment of the Laugh.com on Comedy series. Former comic-turned-motivational-speaker Larry Wilde captured them from America's king of the postmodern standup comedy scene himself, Jerry Seinfeld, early during the latter's meteoric ascent. The actual dates of the interviews aren't given, though the material was recorded on fuzzy analogue tape, and Seinfeld is still clearly in touch with the raw experience of the club circuit. He reveals a strikingly upfront and straightforward demeanor, and his comments come across surprisingly unfiltered by the brand of ironic observation Seinfeld turned into a weekly ritual through his mega-hit TV series. Goaded on by Wilde's sometimes humdrum patter of questions, Seinfeld describes his own evolution as a comic, the role of quasi-musical elements such as pacing and rhythm in a performance, and many points of technique that comic wannabes will find of interest (it takes him at least half a year to hone a routine into a finished project, he observes). Seinfeld closely links successful humor with logical discipline--needed to trick your audience into believing in the setup--and declares that "laughs contain thought." Not given to looking at a psychological angle for what motivates great comics, he does ultimately define the comic's project as "an exploration into the self" that requires a hyper-detailed awareness. More actual examples would lighten the discussion (there's almost nothing funny here), but all you meta-types will have a blast. --Sarah Chin - $8.89
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